By Michel Wynn
(Published in blog: Intrepid-Optimist, no date)
In the second week of February 1949, three men were charged with provoking the death of more ten people in Ecuador. The method of their crime: creating a radio play based on H.G. Wells and then letting it loose on an unsuspecting public.
It was an incident far more sinister than the panics that followed the 1938 broadcast in America when Orson Welles had first dramatised H.G. Wells’ War of the Worlds on radio. Not even the effect of a similar 1944 radio broadcast in Chile could compare when it came to the number of deaths and the level of devastation.
On the fateful night of February 12th, writers for Associated Press and Reuters reported back to the US and Britain: «The mob attacked and burned the building of the newspaper, El Comercio, which housed the radio station and killed fifteen persons and injured 15 others.»
The radio broadcast was the brain child of Leonardo Páez, director of art at Radio Quito and Eduardo Alcaraz, the station’s dramatic director. The two had become familiar with the 1938 incident in America and the 1944 incident in Chile, which both caused widespread panic, but which also exposed the power of radio. In both those cases, it was announced ahead of schedule that the broadcast would be a fictional dramatisation.
Leonardo Páez, a native of Quito, was not only a journalist, but also a singer, composer, poet and producer of radio. In an interview with El Día, Alcaraz later said that he begged Páez to announce at the beginning of the broadcast that what followed was a dramatisation, but that Páez had dismissed him. Even so, someone had planted bogus UFO reports in the newspaper El Comercio in the weeks before the broadcast.
At 21.00 the night of February 12’th, the normal musical broadcast began. Halfway into a song, the news team interupted without warning stating that an attack on Ecuador was underway. Panic erupted in the streets and police were dispatched to the alleged location of a martian invasion, the town of Cotocollao.
The imaginary invasion was gradually to proceed from the town of Latacunga, 20 miles south of the capital Quito, where a poisonous gas cloud was reported to kill everything in its path. Actors immitating well known authority figueres then appeared on radio confirming the crisis.
Appology not accepted
When the station realised that chaos was breaking out, they announced the hoax on radio. The crowd then gathered outside the radio station throwing stones and setting fire to the building. According to the Associated Press there were over a hundred people in the building. Some escaped through the back door. Others sought refuge in the top floors, where some of them jumped from the roof to escape the flames.
The army was then called in with teargas and tanks to disperse the crowd and allow the firemen to do their work. At the end of the evening, bodies lay silent in the street, and the injured were shipped off to hospital. The station managers protested their innocence saying they had been unaware of the planned hoax, and the minister of defense himself was called in to investigate the incidence.
Ten people were detained the night of the riot, and several were later charged, among these Leonardo Páez, Eduardo Alcaraz and the actor Eduardo Palace. Eduardo Alcaraz had fled Quito, but was arrested later in the town of Ambato. Páez, however, had escaped that night from the burning building. Seeing that his route of retreat was cut off by an angry mob and the police, he found a way of escaping via an old conservatory. A truck then took him a property near Ibarra, and he laid low until his legal difficulties were solved 6 years later he left Ecuador and made his way to Venezuela.
Páez lost his girlfriend and his nephew to the chaos created by his own radioplay. They died in the riots. He would never return to Ecuador or be convicted of anything, but in 1982 he published his account of the radio play he broadcast on that Saturday evening in 1949. His book is called Los que siembran viento (Those who sow the wind).
How could it happen?
There has been much speculation about the causes of the panic that erupted after so many broadcasts of War of the Worlds, in the US, in Chile and in Ecuador. Just a year after the Welles broadcast the psychologist Hadley Cantril conducted a study of the effects of the radioshow in which he claimed that the cause of the confusion following the broadcast was the standards of judgment that people applied to the information they heard on radio. They simply trusted the new media of radio, and couldn’t believe that someone would deliberately lie to them.
Seing the effectiveness of the broadcast as perhaps being too calculated, the writer Daniel Hopsicker even speculated that the 1938 broadcast was a psychological experiment funded by The Rockefeller Foundation, a theory which was dismissed by Orson Welles.